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I
love rhythm. Tabla is one of the best Indian percussion instruments.
It has emerged from Pakhawaj. Whenever I heard any kind of
music, I used to try to accompany it on table or chair.
Instead of concentrating
on architectural practice alone, I decided to spare some
time for my hobbies. Hobbies are balancing factors for work
and life. Tabla is another favorite. I am learning it 'beat
by beat'. Initially, it was dragging me to nothing but by
the encouragement of my guru Mr. Mukhade Sir I persevered
and I hope to make best out of it. It energizes and sets
me in happy mood. One can become happy by playing tabla
and vice versa. Tabla is an instrument of joy. It is never
played in sad moods or occasions.
The great Indian maestros
like Ustad Ahmedjaan Thirkhava, Gulam Rasul Khan, Ustad
Zakir Hussain, Ustad Allarkha, Anindo Chattergie, Shubhankar
Bannerji, Pandit Surash Talwalkar, Pt. Samta Prasad, Anish
Pradhan, Yogesh Shamsee, Mukesh Jadhav and several others
have contributed to the growth of this instrument. All exponents
have done so much in this field that following their foot
steps is considered good enough.
I am moved by the beauty of the syllables,
their pronunciation on tabla and experiencing rhythm itself.
Though all these factors are the generally same in any successful
tabla performance, it is so individualistic. It lets you
express yourself and your individuality. It can not become
a machine like instrument. It speaks like another human
being or living creature. It can let you touch the divinity.
This is the factor that I love about all these - tabla,
painting, architecture or all kinds of performing and creative
arts. It can mesmerize one and lets you forget the vary
existence.
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